Juan Carlos Pastor retweeted
Unos fotógrafos de vida salvaje son sorprendidos por una manada de lobos árticos, que no los ven como una amenaza.
Juan Carlos Pastor retweeted
Ancient Roman city beneath street level, hidden just below modern-day life in Verona, Italy. 1st century BC.
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Juan Carlos Pastor retweeted
Steve Martin working in the magic shop at Disneyland! Probably late 1960s
Juan Carlos Pastor retweeted
Juan Carlos Pastor retweeted
Ambitious concept art by Dan Goozee for Star Trek The Experience at the Las Vegas Hilton, 1998
Juan Carlos Pastor retweeted
The details in 90s anime
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階段の多い町でして(2023)
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Juan Carlos Pastor retweeted
Benicio del Toro and Parker Posey photographed by Mark Seliger, 1995.
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Love this.
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Cillian Murphy says 28 Days Later is the only film of his that he still watches. “I never watch my own films, except that one… it’s really stood up.” He never thought it was a zombie movie “I wasn’t aware we were making zombie movie. Never felt it was.”
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Juan Carlos Pastor retweeted
"SD cards were invented in 1999" Sony in 1998:
Juan Carlos Pastor retweeted
"Dune" (1984)
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Max Fleischer cartoons of the 1930s were on a different level
Juan Carlos Pastor retweeted
The famous sculpture Sylph by Ukrainian artist Volodymyr Tsisaryk is located in Lviv.
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Juan Carlos Pastor retweeted
Wow this is cool 😂
Juan Carlos Pastor retweeted
Was watching the newest AVGN video and was completely caught off guard by him mentioning "Jackie Chan: Fists of Fire" as one of the few good FMV games in it. As the person who first applied to TO it at a major fighting game tournament, crazy to see how its notoriety has grown.
Juan Carlos Pastor retweeted
Cant believe i did this in 2019… its so long ago already 🫠
I worked a bit more on the #RogerRabbit anim. #2danimation #animonthly #2d #penciltest #tvpaint
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Juan Carlos Pastor retweeted
this is what they took from you
I mean it's almost a joke now that the easiest way to go viral is to find an aesthetically attractive picture from a few decades ago and to post it with the caption "this is what they took from you." Impotent nostalgia sells. Endlessly playing the rearguard sells. No one wants to mull over any positive vision for the future because we are almost all nihilists insofar as the political process is concerned; there is a latent sense that nothing is possible, and because of this, striving toward anything that is charged with possibility is vaguely painful, irritating, demoralizing. So we just fantasize endlessly about "return" instead of building a forward-facing future that makes sense, and those fantasies are both addictive and useful for populist ressentiment-driven politics of the most cynical variety. The real Power Players of the future are not doing this. Playing the rearguard is really a signal that you've given up, that you are now low energy. The ones who are going to make the future are light on their feet, capable, willing to try anything, and are not constantly looking backwards -- and such types are often HATED by the nostalgia-peddlers because they interrupt the hustle of the "returners."
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