Raise your glass to the hard-working people
Let's drink to the uncounted heads
Let's think of the wavering millions
Who need leaders but get gamblers instead
Fleetwood Mac – Blues Jam in Chicago - 1969
It was the result of a recording session at Chess Records in Chicago with Fleetwood Mac and a number of famous Chicago blues artists from whom they drew inspiration.
The Clash - London Calling - 1979
Bridging a traditional punk rock sound and a new wave aesthetic, London Calling reflects the band's growing interest in styles beyond their punk roots, including reggae, rockabilly, ska, New Orleans R&B, pop and lounge jazz.
Tom Waits - Small Change - 1976
It was successful commercially and outsold his previous albums. This resulted in Waits putting together a touring band - The Nocturnal Emissions.
The Hot Spot (Soundtrack) - 1990
Miles Davis performs on soundtrack—along with John Lee Hooker, Taj Mahal and others—to film directed by old Hollywood friend Dennis Hopper and starring Don Johnson, Virginia Madsen, and Jennifer Connelly. Miles performs a blues duet with Hooker.
The Bill Evans Trio - Waltz for Debby - 1962
Is a live album by Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian.
John Coltrane - Ascension - 1966
It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works.
Taking my time
Choosin' my line
Trying to decide what to do
Looks like my stop
Don't wanna get off
Got myself hung up on you
Seems to me
You don't want to talk about it
Seems to me
You just turn your pretty head and walk away
James Gang - Rides Again - 1970
On the initial pressings of Rides Again, aelectric rendition of Ravel's Boléro is interpolated into the song The Bomber.
Ravel's estate threatened suit against both and ABC Records for its unauthorized use. Boléro section was removed.
Tommy Bolin - Teaser - 1975
Teaser was released in conjunction with the album Come Taste the Band by Deep Purple, on which Bolin also played guitar. The material spans hard rock, blues rock, jazz, reggae and Latin music.
Genesis - Nursery Cryme - 1971
It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. Is the third studio album by Genesis.
The Kinks - Lola Versus Powerman and the Moneygoround, Part One - 1970
A concept album and it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road.
Rory Gallagher - Tattoo - 1973
Is the fourth studio album and fifth album overall released by Rory Gallagher. Was an album that crossed many genres of rock and roll and showcased the writing talents of Gallagher more than any of his previous records.
Fripp & Eno - No Pussyfooting - 1973
Was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique.
Ten Years After – Watt - 1971
It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen", which is a recording from the 1970 Isle of Wight Festival.
Mike Bloomfield, Al Kooper & Stephen Stills - Super Session - 1968
Super Session is an album by singer and multi-instrumentalist Al Kooper, with guitarists Mike Bloomfield on the first half and Stephen Stills on the second half.
Neil Young - Hitchhiker - 2017
Eight of the ten songs found on Hitchhiker were released on various Neil Young studio albums though as versions from different live or studio recordings
Joni Mitchell - Ladies of the Canyon - 1970
The album includes several of Mitchell's most noted songs, such as "Big Yellow Taxi", "Woodstock" and "The Circle Game". The title makes reference to Laurel Canyon, a center of popular music culture in Los Angeles during the 1960s.
King Crimson - Starless and Bible Black - 1974
Contains great songs like "Starless and Bible Black", "Fracture", "Lament", etc. It features most of the personnel which appeared on the group's preceding album, Larks' Tongues in Aspic, but without percussionist Jamie Muir.