I'm Guillermo. A digital creator integrating AI tools into the art of visual storytelling. Luma CPP Pika CPP Hailu CPP and Nim CPP

Montreal, Quebec
Joined August 2014
Recreating a Ford commercial with AI tools @Kling_ai 2.0's dynamics are amazing, and @higgsfield_ai for transitions. Images: Midjourney V7 Music: @Artlist_io
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Take a dip into the strange and abstract with my latest experimental piece: "We'll be home soon" Share if you care 😎👍
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If you're new to AI video & prompting - start here. You're here to get my support: 1. Get my free prompts guide 2. Get my free Creator bundle (see comments) 3. Ask any questions in my comments/DMs Comment "LTX" and I'll send you my prompts guide.
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Is that time of the week
CALLING ALL AI CREATORS! Have you made something awesome with AI? Images, videos ...drop it here! Tomorrow (Sunday) I’ll feature the best in a post Share yours now!👇
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The magic @grok video. The way the light reacts and reflects into the character is just amazing
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Making animated Tesla posters is super easy and fast with @grok Imagine
They are always evolving, this looks awesome 🤩
Great ideas grow where everything connects Learn how Freepik Spaces lets you and your team create, collaborate and automate everything in one place We’ve got a guide ready to share if this post hits 1K likes
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Make your own music videos with this amazing tutorial by @techhalla 🕺🪩
My latest AI music video is a freaking banger. I didn’t expect this to blow up… but here we are. 1M views and 30k hours in just 3 weeks on Radio Mandanga. This is just a little taste, I’m dropping the full clip and the tutorial down below, made on frepik 👇
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Guillermo Castellanos retweeted
i use one tool that gets me 5x better results from veo 3.1 and hailuo 2.3... if you're not effectively prompting camera motion, you're using these models at 50% capacity casual direction like "zoom in" or "circle around" doesn't work, video models need actual cinematography language: - [truck left, pan right, tracking shot] - [push in, pedestal up] - [dolly back, tilt down] so i built a claude skill that translates for you you describe what you want -> it converts to proper film terminology -> AI executes it way better this was initially made for my team, but i'm sharing it with you guys... reply "angles" + RT and i'll send it over (must be following so i can dm)
Guillermo Castellanos retweeted
The next wave of storytellers starts here. Introducing the Wonder Film Festival - your chance to win up to $6000 and be considered as a filmmaker in the next chapter of our Anthology series. $10,000 up for grabs: 1st - $6000 2nd - $3000 3rd - $1000 To enter, sign up to the Wonder App and submit your film - app.wonderstudios.com/ The best films win… simple Our Judges: @matistanis (Co-Founder and CEO of ElevenLabs) Danny Perkins (Former CEO of Studio Canal, CEO at Elysian Film Group) @JustinHackneyai (Co-Founder of Wonder Studios) Enter by November 21, 2025 #WonderFilmFestival
Halloween is over so all decorations are going back home @Grok Imagine prompt: The Green skelet comes out of the Windows to scare us
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Making a stopmotion style animation form one picture with @grok Grok Imagine prompt: Make it transforms into a little house in stop motion style
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Guillermo Castellanos retweeted
Replying to @guicastellanos1
Google Flow Veo 3.1 JSON prompt Share: { "prompt": "Generate a high-quality, cinematic 8-second video from a third-person POV of a miniature Tesla Cybertruck driving through a vast research and manufacturing area inside a lunar space station. The Cybertruck is a 1:64-scale die-cast model, but the environment around it appears gigantesque — massive tables, machinery, and humanoid Tesla Optimus robots working on advanced technology prototypes. The scene feels like a hyper-realistic blend of engineering and wonder: the floor is metallic and dusted with fine lunar particles; in the background, Earth can be seen faintly through a large observation dome. The Cybertruck drives smoothly across a titanium workbench surface, weaving between towering robotic arms assembling circuits, exoskeleton frames, and energy cells. One giant Tesla Optimus robot gently moves a metallic panel with a precision arm, while another operates a welding laser that emits blue sparks illuminating the tiny vehicle as it passes. The environment glows with industrial light sources — cold white from overhead fixtures, soft amber from tool consoles, and deep blues from active reactors. Lunar dust drifts slowly in low gravity, creating beautiful volumetric light effects. The car’s chrome finish reflects surrounding machinery and light beams, enhancing realism. The mood is calm but filled with a sense of technological awe.", "style": "cinematic, photorealistic, highdynamic-range, industrial-futuristic realism", "camera_motion": "slow-following third-person tracking at low height, smoothly gliding just behind and slightly above the Cybertruck with subtle handheld motion to simulate real camera weight", "key_elements": { "scale_ratios": { "cybertruck": "1:64 die-cast miniature (appears life-sized in camera POV)", "robots": "Tesla Optimus units appear 80-100x larger, towering like gentle mechanical giants", "assembly_arms": "massive industrial manipulators spanning 10–20 meters", "tables": "workbenches appear like elevated plateaus with metallic tools the size of vehicles", "components": "oversized energy cores, cables, and drone shells under construction", "Earth": "visible through glass dome in the background, casting faint blue light" }, "environment": "interior of Tesla lunar research and manufacturing base — metallic surfaces, low gravity dust, cold and warm light contrast, subtle reflections, Earth visible through observation glass", "dynamics": "slow-speed movement (as if in controlled facility), realistic reflections, floating dust motes, robotic activity, cinematic lighting transitions", "plot_timeline": [ { "time": "0-2s", "description": "Cybertruck enters frame from left, rolling onto a titanium workbench, headlights on; the camera adjusts focus revealing massive robot silhouettes in the distance." }, { "time": "2-5s", "description": "Car passes between two giant Optimus robots — one using a welding arm that sends gentle light flares across the frame, the other assembling a drone engine; the car’s reflection glides over metallic parts and cables." }, { "time": "5-8s", "description": "The Cybertruck approaches the edge of the workbench, drives past a glowing holographic blueprint hovering midair, and stops near the observation dome where Earth glows beyond — the camera tilts up slowly to reveal the lunar horizon and the Tesla base at scale." } ] }, "lighting": "soft white and amber industrial illumination mixed with bluish lunar bounce light; volumetric dust glow, lens flare from welding sparks, dynamic reflections on metallic surfaces", "visual_effects": "fine lunar dust floating slowly, reflections on car panels, robotic motion depth blur, bokeh on background lights", "audio": { "music": "ambient futuristic tone with deep bass hum and subtle melodic rise (akin to Hans Zimmer’s ‘Interstellar’ palette)", "sfx": "low-frequency machinery hum, robotic servo whirs, faint welding crackles, electric motor whine of the Cybertruck" }, "format": "16:9", "resolution": "4K", "fps": "60" }
🌕 Tesla is going to the moon 🧑‍🚀Google Flow Veo 3.1 🫂Jason prompt share in the comment
Incredible 🤯
🤯 Some will say you can't be creative using AI. THEY ARE WRONG. This piece from Masaki Mizuno 🇯🇵 blew my mind!
a Haunted coffe is perfect for Halloween 🎃 Created with @pika_labs
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cold days are coming @LeonardoAi motion
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A friendly haunted house Airbnb experience 👻 Created with Sora 2
Guillermo Castellanos retweeted
What happens when an artist uses GenAI to reimagine a world that inspired them? At #AdobeMAX, Promise director @MetaPuppet unveiled Kyra—a short film crafted with Adobe Firefly as an homage to the New York artists who shaped his creative voice. The result is a striking film that bridges street art, rhythm, and technology. Go behind the scenes to see how the short was brought to life.
Incredible achievement by @Diesol showing that storytelling is king 👑
Sharing my latest short, My Friend, Zeph, which premiered this week at #AdobeMAX. I wanted to create a personal story about growing up — and what it means to hold onto wonder as we move between childhood and adulthood. As a dad to a young daughter, that theme really resonated with me. To bring it to life, I used a hybrid approach that blended traditional filmmaking with generative tools within @AdobeFirefly. We shot with actors on location and against blue screen, then used AI to expand the world, enhance emotion, and visualize memory in a way that feels both real and dreamlike. It’s been incredible seeing how these new tools can help tell stories that feel deeply human. #AdobeMAX2025 #CreateWithFirefly
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