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Wow - relighting test with Nvidia's Cosmos DiffusionRenderer💡
It first creates passes of your video and then lets you relight with a custom HDR environment map. Passes and another example in thread 🧵 #aivideo
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Marbleさんで「画像からの背景3DのAI生成サービス」アーリーアクセスさせていただきました。完璧ではないけどなかなか凄い
marble.worldlabs.ai/
Houdini 21 is here! KineFX gets a Motion Mixer, Animation Catalog, Autorig Builder & enhanced muscles. Copernicus adds GPU Pyro FX, reaction diffusion FX & texture baking. Solaris expands with Shot Builder, Live Rendering & Gaussian Splats & much more.
sidefx.com/products/whats-ne…
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Official trailer for the 4K restoration of Edward Yang's final masterpiece, YI YI. Coming to theaters 9/5!
GM 🌞🙌
‘The Forgotten Stage’ is now with the amazing @lotsofnfts . Truly grateful.
Both pieces collected ahead of today’s release.
Thank you @halecar2 for helping make it happen.
@fellowshiptrust
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Tomorrow I'll talk at the #ICRA workshop on "Enhancing human mobility" on recent 3D human estimation works from our group led by @GerardPonsMoll1.
And I've released PyTorch training code for NLF, and more tools.
Here's a preview of the even stronger upcoming DINOv2-ViTg-based NLF
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'Babe' is 30! Whoa.
One of my fave series of articles was a collection of interviews with the key effects crew members behind the film.
Neal Scanlan: beforesandafters.com/2020/08…
John Cox: beforesandafters.com/2020/08…
Scott Anderson and Charle Gibson: beforesandafters.com/2020/08…
They did it again 🔥
Check out the #Houdini 21 sneak peek! We’re sharing a preview of some of the new features. More will be revealed at SIGGRAPH 2025 in Vancouver—don’t miss the Keynote, HIVE presentations, and more starting the week of August 11.
sidefx.com/community/houdini…
Great thread, it’s especially weird given Musk position about GenAI just 2 years ago
I didn't want to post on Grok safety since I work at a competitor, but it's not about competition.
I appreciate the scientists and engineers at @xai but the way safety was handled is completely irresponsible. Thread below.
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A reel of film logos shot by Jack Harrsion (mr_jackio) on his JVC TM-910SU CRT monitor.
