“I just called, to say, where are you?”
I nearly croon to director Nagesh Kukunoor over the phone, who tells me, “[Publicly] I just went off the radar, sometime around 2019 — no interviews, no social media… The word toxic doesn’t even do justice to what’s [happening] around us; so, I just decided to stay away.”
In case you’re Gen Z; but even then, if you’re a film buff, how would you not know — Kukunoor, 58, is the OG man of desi middle-of-the-road indies.
Starting with Hyderabad Blues (1998), that inspired a generation of English-speaking folk to fiddle with the camera, while he carried on with remarkably memorable work in Hindi, especially until the mid-2000s (Rockford, 3 Deewarein, Iqbal, Dor).
He tells me he’s been even busier since: “What with having wrapped up six web-series, over the past seven years.”
The one I called him right after watching is The Hunt: The Rajiv Gandhi Assassination Case, on the 90-day probe, between May-August, 1991, to nab killers of the ex-Prime Minister of India — belonging to Sri Lankan-based militant group, Liberation Tigers of Tamil Eelam (LTTE).
It’s dropped on Sony LIV. It’s mainly set in Tamil Nadu. It’s certainly Kukunoor’s comeback of sorts. And it’s simply stellar.
But not as a breathless thriller, with breathtaking action; the kinda mood that Shoojit Sircar set for Madras Café (2013), on the same subject. Then how, exactly?
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