"The Beginning of Intelligent Life on Earth: Second Episode" According to legend, in paradise there was no need to work. After the Fall and expulsion from Paradise, man was forced to create tools of labor and master technology—thus began the history of rational life, the history of creative adaptation to harsh reality. Now this civilization creates machines that do all the work for man, including creative work. They perfom even the work of imagination. Perhaps man will have to make the decision to leave the "modern paradise" once again—this time voluntarily—in order to avoid intellectual degradation and preserve himself as a species.

"Ordinary Genocide" This painting is dedicated to the discrimination against Russians on ethnic grounds in EU countries. They are facing it more and more frequently. Just look at the recent initiative to cancel multiple-entry visas for Russians visiting Europe.

"Gorgon" (2025, 50 x 70 cm) My "existential" cycle of paintings—a series of toothy vaginas—is nearing completion. Its climactic denouement is just around the corner. I'm preparing something special for you... Stay tuned. And in the meantime, meet the goddess well-known throughout the Western world in a new guise... Oh yes, Meduza is not just the name of an extremist media outlet, a liberal cesspool spreading fakes about Russia and supporting degenerates and perverts of every stripe, but also a well-known character from ancient Greek mythology. Medusa, also called Gorgo, or the Gorgon, was slain by Perseus on the orders of King Polydectes. The young hero severed the monster's head while gazing at its reflection in Athena's polished bronze shield. Medusa is also mentioned in Homer's Odyssey, where her image serves as a symbol of horror and peril. To be continued... My next work will complete this terryfying circle...

HAPPY HALOWEEN 🎃 "Hecate" (2025, 50 x 70 cm) Hecate is an ancient Greek goddess associated with magic, witchcraft, night, the moon, ghosts, and necromancy. Her image as a goddess of magic, lunar phases, and women's mysteries serves as a symbol of female power, autonomy, self-determination, and resistance to patriarchal norms. According to my "subjective mythology" Hecate is an example of one of the ancient embodiments of the Vagina Dentata, devouring time, energy, money, and us men entirely.

"Self-portrait on a stake for burning with the witches" (2025, 100 x 80 cm) In my paintings, I strive to reflect my deepest experiences and emotions. Primarily, they are connected to politics and society, but there are also those that address issues inherent to my personal life. This work falls into the latter category. The inscription in Russian translates as: "Lord! Have mercy on the sinful martyr!" To keep my anonymity i had to put a mask on a seft-portrait.

"The hard choise of the Jewish People". (2024, 88 x 150 cm) This painting contemplates the tragic, biblical, and still relevant dilemma faced by the Jewish people today. To live abroad and be a thriving professional – or to live in one's own state and be in a constant state of war? The Russian inscription "два пути для еврея" means "two paths for a Jew," and, together with the image of the horseman, it references the very famous Russian painting "The Knight at the Crossroads".

"Who is ready to die for Europe?" (2017, 100 x 80 cm) Another work from the "Invasion of the Crescent People" series references a philosophème attributed sometimes to Sun Tzu, sometimes to Napoleon, and sometimes to Clausewitz. It is not the army that is strong which is numerous, but the one that is steadfast. The best soldiers are not those who skillfully kill, but those who are prepared to die. Currently, Europe is devoting all its efforts to fighting an imaginary threat from Russia, waging a proxy war against it, while overlooking the main threat to its very existence: the displacement of indigenous peoples by migrants, population decline, and the complete loss of national identity.

"Halfmoonade" (2019, 120 x 79 cm) Through this ironic work, I draw a historical parallel between the Crusades of the Middle Ages and the "great migration of peoples in modern times" – from the countries of the "Islamic world" and Africa to Europe. I respect Islam, one of the so-called world religions, and the majority of migrants are normal people. However, some of them, particularly the more driven ones, adhere to a radical Islam and an ideology of conquest, and are involved in terrorist activities. This is a "new Crusade" by fundamentalists – fanatics who consider their faith to be the only correct one. This is how I came up with a neologism that became the title of the painting: "Halfmoonade" – that is, "the campaign of the crescent bearers".

"Danai(m) will raise Antichrist" (2023, 120 x 80 cm) My original legend of the Antichrist is based on the myth of the Minotaur - a ferocious monster born from the depraved and wealthy wife of the King of Crete and a bull sent by Poseidon. I assume that the Antichrist will appear as the son of an equally depraved and wealthy Antimom-transgender, born by a surrogate mother and taken away from her.

"Adoration of the magi" (Homage a Max Ernst, 2023, 120 x 80 cm) One day in Venice, at the Peggy Guggenheim Gallery, I saw M. Ernst's painting "Antipope" (Antipapa). That got me thinking: since there's already an antipope in art history, there should be an "Antimama" too. And I decided that the most fitting image for the role of antimother is a rich and depraved transgender person who ordered a test-tube baby. In the image of the reptiloids, this painting depicts corrupt doctors, medical businessmen, and lawyers. For money, they are ready to grow a child in a test tube and sell it to anyone.

"A Lonely Protester" (2019, 80 x 100) This painting problematizes not so much the very fact of protest against global corporations and institutions, but rather the narrow-mindedness of the "protesters," who are only capable of perceiving the world through the prism of acronyms, labels, and clichéd formulas—and are incapable of discerning the subtle nuances of the "worldview".

"Diversity of European politicians" (2024, 100 x 80) Contemporary European politicians, these graduates of globalist "think tanks," with their stereotypical thinking and psychological immaturity, have proven incapable of conducting real, balanced politics in the face of growing international tensions.